That Drifting Poo Was Way Too Meaningful! These Are the Television Letdowns of the Year.
As we reflect on the television landscape of the recent year, a selection of series emerge not for their brilliance, but for their notable failures. Ranging from cringe-inducing spin-offs to bafflingly poor docuseries, here are the programmes that left us utterly bewildered or just reaching for the remote.
And Just Like That
How to start with this divisive spin-off? Burdened with dreadful scripts, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to justify its existence. For a moment, as the final season started, it looked like it had at last hit its stride. Then came an episode centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the last season. It ended on a bum note; the lingering shot of Miranda’s loo flooded with poo was just way too symbolic. Still, fans certainly had a hoot picking apart every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't let out a little sob?
The Kim Kardashian Drama
‘Is Kim Kardashian an actress? The answer is a resounding no.’
But that was almost the least of this show's problems. The subject of a very rare no-star review, it was difficult to know where to start listing the problems. The laughably leaden writing? The mind-numbing veneration of affluence and materialism? The seemingly deliberate procession of tropes? Acting so poor they felt almost spiteful? Suffice it to say “all of the above” and never speak of this series again. Except, a second season has been commissioned, so we’re probably going to have to.
The Charlie Sheen Documentary
Considering the restraining orders, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d truly have known it from this multi-part documentary which smirked its way at Sheen’s various bouts of reckless excess while struggling to tell us anything we didn’t already know. Rather, it felt as if this volatile personality was being indulged, so any pity this series might induce should be reserved for the people who have had to suffer proximity with this charismatic but flippant egotist.
The Iris Affair
Naturally we understood it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.
The Gangster Drama
Dodgy figures meeting in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.
Actually, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge unconvincing accents. But there were plenty of other issues. Primarily that it was just really dull; a conflict over drug-selling territory between various London picaresques which felt a bit basic.
The Meghan Markle Series
Considering the degree to which she grinds the gears of the nation’s performatively angry commentators, it’s almost tempting to admire the Duchess of Sussex’s televised forays into quaint homemaking as deliberate provocations. But then you view them and are compelled to admit that in this case, they may have a point. It’s like watching a lifestyle magazine animated; a poster for wine o’clock with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental sayings and pointless crafting “tips” you’ll forget instantly. All supported by vast, mostly unearned wealth. Ugh.
Victoria Beckham
There are obviously interesting things to be discussed about regarding Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to explore them. Rather, the experience was akin to consuming a sales catalogue. She obviously has good reason to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.
The Inheritance
It should have been the next big hit – except even more extravagant, with a famous star playing dead and a well-known personality overseeing her inheritance. What more could you want? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to detail what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up smelling of a production that was trying way too hard to emulate something way beyond it.
The Lena Dunham Romcom
How does one follow a show that defined a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of celebrity friends involved felt uncomfortable.
The Sketch Show Return
Not even good enough to be ‘uneven’.
Given the shrewd inclusion of talented emerging comics, expectations were high. But sadly, most of it didn’t land. A recurring sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, in contrast, simply provoked the thought that they should probably have stayed in there a bit longer.
The Knox Dramatisation
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be treated sensitively. Rather, the series laboured awkwardly to find the right tone, lurching from strangely jaunty, slightly mannered farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Absolutely.
The Maths Genius Thriller
We love the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could ruin society? No! This international thriller about secret services targeting – and killing off – academics frankly got more farcical by the second. Silliness-by-numbers.
1000 Men and Me: The Bonnie Blue Story
This uncritical portrait followed the online personality renowned for sexual escapades as she undertook her biggest feat yet. What on earth would possess her? What we wanted was way more interrogation of her actual psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to drag her son away from the queue. What we got was horrific imagery and zero interrogation of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.